ΒΙΒΛΙΟΓΡΑΦΙΑ Γ΄ΕΡΓ.ΓΛΥΠΤΙΚΗΣ

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Edward Lucie-Smith, Art Tomorrow, ed. Marc Parent (Paris: Terrail, 2002).

Wheeler, Daniel. Art Since Mid-Century: 1945 to the Present. London: Thames & Hudson, 1991.

Καλαμάρας, Δημήτρης.Σχέδια, Ζωγραφική, Γλυπτική. Αθήνα: [Χωρίς Εκδοτικό Οίκο], 1993.

Hersey, G. L. (2008). Falling in Love with Statues: Artificial Humans from Pygmalion to the Present. Chicago: University of Chicago Press.

Kandinsky, W. (1996). Σημείο, γραμμή, επίπεδο. Εκδόσεις Δωδώνη. Μετάφραση: Έφη Μαλάκη – Σταθάκη.

Kandinsky, W. (1981). Για το Πνευματικό στην Τέχνη. Μετάφραση ΠΑΡΑΣΧΗΣ ΜΗΝΑΣ. Εκδότης ΝΕΦΕΛΗ. Ξενόγλωσσος τίτλος: UBER DAS GEISTIGE IN DER KUNST.

Klee, P. Η Εικαστική Σκέψη. Εκδόσεις Μέλισσα.

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Dubery, F. (1983). Perspective and Other Drawing Systems. Xs Books.

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Mark Turner. Figurative Language and Thought. Oxford University Press.

Cherniak, C. Εγώ της Νόησης. Σε επιλογή των Douglas Hofstadter-Daniel Dennett.

Ξενάκης, Ι. (2001). Κείμενα περί Μουσικής και Αρχιτεκτονικής. Εκδόσεις Ψυχογιός.

Thompson, D. W. (2011). On Growth and Form. CreateSpace.

Magnenat-Thalmann, N., & Thalmann, D. (1994). Artificial Life and Virtual Reality. Wiley.

Wells, R. H. (2008). The Sound of Numbers: A Tour of Mathematical Music Theory. Saint Joseph’s University.

Stockhausen, K. (2000). Stockhausen on Music: Lectures and Interviews. Marion Boyars Publishers Ltd.

Stockhausen, K. (1990). Towards a Cosmic Music. Element Books.

Xenakis, I. (1992). Formalized Music: Thought and Mathematics in Composition. Pendragon Press.

Giedion-Welcker, C., & Karpel, B. (1961). Contemporary Sculpture: An Evolution in Volume and Space. G. Wittenborn.

Dodds, G., & Tavernor, R. (2001). Body and Building: Essays on the Changing Relation of Body and Architecture. The MIT Press.

Steadman, P. (1979). The Evolution of Designs: Biological Analogy in Architecture and the Applied Arts. Cambridge University Press.

Gould, J. L., & Gould, C. G. (2012). Animal Architects: Building and the Evolution of Intelligence. Basic Books.

Hersey, G. L. (1999). The Monumental Impulse: Architectures Biological Roots. MIT Press.

Alexander, C. (1964). Notes on the Synthesis of Form. Harvard University Press.

Micheal Hensel & Achim Merges (2004). Emergence in Architecture. Architectural Design.

Derrida, J., & Thévenin, P. (2000). The Secret Art of Antonin Artaud. MIT Press.

Curtis, P., Herbert, M., Lee, L., Lingwood, J., Rugoff, R. (2014). The Human Factor: The Figure in Contemporary Sculpture.

Wood, J. (1998). The Virtual Embodied: Presence/Practice/Technology. Routledge.

Kristeva, J. (2010). Powers of Horror: An Essay on Abjection. Columbia University Press.

Gilroy-Hirtz, P. (2018). Kiki Smith. Prestel.

Rosenthal, M. (2003). Understanding Installation Art: From Duchamp to Holzer. Prestel.

De Oliveira, N., & Archer, M. (2004). Installation Art. Thames & Hudson.

Batchelor, D. (2000). Chromophobia. Reaktion Books.

Collins, J. (2014). Sculpture Today. Phaidon Press.

Seigel, J. (1997). The Private Worlds of Marcel Duchamp: Desire, Liberation, and the Self in Modern Culture. University of California Press.

Lippard, L. R. (1997). Six Years: The Dematerialization of the Art Object from 1966 to 1972.

Duve, T. D., et al. (2005). Pictorial Nominalism: On Marcel Duchamp’s Passage from Painting to the Readymade. University of Minnesota Press.

Blunck, L., & Duchamp, M. (2017). Duchamp’s Readymade. Edition Metzel.

Taylor, D., & Levine, A. (2016). Performance. Duke University Press.

Satz, A., & Wood, J. (2009). Articulate Objects: Voice, Sculpture and Performance. Peter Lang.

Daflos, K. (2007). Handbook, Plans for Interactive Installations. Editions Papasotiriou.

Taylor, M. C. (1998). Hiding (Religion and Postmodernism). University Of Chicago Press.

Mesch, C., Michely, V., & Danto, A. C. (2007). Joseph Beuys: The Reader. MIT Press.

Chevrier, J.-F. (1997). Politics, Poetics – Documenta X. Hatje Cantz Publishers.

Kourellas, A., & Kourniatis, N. (2011). Η Προοπτική στην Αρχιτεκτονική Απεικόνιση. Εκδόσεις Τζιόλα.

Kak, M. (1999). How Science Will Revolutionize the Twenty-first Century. Oxford University Press.

Kac, E. (Ed.) (2007). Signs of Life: Bio Art and Beyond. MIT Press.

Chu, K. (2006). Programming Cultures: Art and Architecture in the Age of Software. AD Magazine.

Hansell, M. (2005). Animal Architecture. Oxford University Press.

Moles, A. Θεωρία της Πληροφορίας και Αισθητική Αντίληψη. Εκδ. Μορφωτικό Ίδρυμα Εθνικής Τραπέζης.

Kaisler, A. Η Πράξη της Δημιουργίας. Εκδ. Χατζηνικολή.

Buskirk, M. (2003). The Contingent Object of Contemporary Art. Cambridge, MA.

Fenner, D. E. W. (1995). Ethics and the Arts: An Anthology. London.

Leslie, E. (2005). Synthetic Worlds. London.

Melville, S. (Ed.) (2005). The Lure of the Object. Williamstown.

Harris, J. (2001). The New Art History: A Critical Introduction. Routledge.

Godfrey, T. (1998). Conceptual Art. Phaidon.

Crary, J., & Kwiner, S. (Eds.) (1992). Incorporations. Zone Books.

Matzner, F. (Ed.) (2004). Public Art: A Reader. Hatje Cantz.

Heathfield, A. (Ed.) (2004). Live: Art and Performance. Tate Publishing.

Goldberg, R. (1998). Performance: Live Art Since the 60s. Thames and Hudson.

Goldberg, R. (2001). Performance Art: From Futurism to the Present. Thames and Hudson.

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